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‘Taylor Swift: The Official Release Party of a Showgirl’ Review: Taylor Swift Introduces the 12 Tracks From ‘The Life of a Showgirl.’ But Only One of Them Is Great

Owen Gleiberman, Owen Gleiberman
October 4, 2025 at 01:39 AM
Joy (60%)
mixed
‘Taylor Swift: The Official Release Party of a Showgirl’ Review: Taylor Swift Introduces the 12 Tracks From ‘The Life of a Showgirl.’ But Only One of Them Is Great

Key Takeaways

  • The review focuses on Taylor Swift's 12th album, "The Life of a Showgirl," and its promotional event, "The Official Release Party of a Showgirl."
  • "The Fate of Ophelia" is identified as the album's clear standout track, praised for its maximalist dance groove and powerful hook.
  • Swift wrote and directed an elaborate video for "The Fate of Ophelia" featuring her as showgirls from different historical eras.
  • The reviewer suggests that while the standout song is ecstatic, the rest of the album and the accompanying lyric videos lack the same impact and suffer from visual repetition.
  • The 'showgirl' concept, while present in costumes and the featured video, is not strongly reflected across the majority of the album's lyrics.

The review covers the theatrical release event for Taylor Swift's 12th album, "The Life of a Showgirl," titled "Taylor Swift: The Official Release Party of a Showgirl," where Swift introduced the tracks. The standout song is unequivocally "The Fate of Ophelia," which opens the album with Coldplay-esque piano chords evolving into an infectious dance groove reminiscent of Lady Gaga, culminating in an exultant hook. Swift heavily features this track, including its elaborate, multi-set video depicting her as showgirls from various historical eras, and even explains its meaning—Ophelia as the anti-Taylor, a path Swift avoided. However, the reviewer notes that the special and the album struggle to sustain this high, finding the other songs to have a pleasant but less memorable shimmer. Furthermore, the lyric videos for the other songs employ a repetitive, kaleidoscope-like visual effect featuring only Swift, leading to a sense of sameness, and the overarching 'showgirl' concept feels underdeveloped lyrically outside of a few tracks.

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